{"id":14193,"date":"2016-08-03T00:03:15","date_gmt":"2016-08-02T23:03:15","guid":{"rendered":"https:\/\/journaldunpigeonvoyageur.com\/blog\/?p=14193"},"modified":"2025-10-03T19:42:31","modified_gmt":"2025-10-03T18:42:31","slug":"dey-your-lane-lagos-variations-ou-quand-les-multiples-visages-de-lagos-sexposent-a-bruxelles","status":"publish","type":"post","link":"https:\/\/www.journaldunpigeonvoyageur.com\/blog\/2016\/08\/03\/dey-your-lane-lagos-variations-ou-quand-les-multiples-visages-de-lagos-sexposent-a-bruxelles\/","title":{"rendered":"\u00ab\u00a0DEY YOUR LANE, LAGOS VARIATIONS\u00a0\u00bb ou quand les multiples visages de Lagos s’exposent \u00e0 Bruxelles"},"content":{"rendered":"

\u00a0\"\"<\/p>\n

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Portrait d’Uti Nwachukwu, 2015, par Ik\u00e9 Ud\u00e9. Dey your Lane, Lagos Variations, BOZAR, Bruxelles<\/em><\/p>\n

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C\u00f4t\u00e9<\/strong> pile<\/strong>, \u00a0une ville\u00a0<\/b>tentaculaire<\/strong> et chaotique<\/strong>\u00a0qui, du fait de son quotidien rimant avec perp\u00e9tuel combat, semble, \u00e0 premi\u00e8re vue, n’offrir que des conditions de vie difficiles.<\/span><\/p>\n

\u00a0<\/span><\/p>\n

Bruits incessants. Interminables\u00a0go-slows<\/strong>\u00a0(embouteillages) auxquels les\u00a0okadas<\/strong>\u00a0(motos taxis\u00a0similaires aux\u00a0zemidjans\u00a0b\u00e9ninois et togolais), les voitures, les k\u00e9k\u00e9s<\/strong> (triporteurs) et\u00a0 les danfos<\/strong>\u00a0( embl\u00e9matiques\u00a0<\/b>bus jaunes, couverts de graffitis, proverbes et stickers) tentent d\u00e9sesp\u00e9ramment d’\u00e9chapper.<\/span><\/p>\n

\u00a0<\/span><\/p>\n

Corruption li\u00e9e \u00e0 <\/span><\/span>la manne<\/span><\/span> (ou pas) <\/span><\/span>que constitue<\/span><\/span> l’or noir<\/span><\/span>\u00a0<\/span><\/span>(aka le p\u00e9trole). <\/span><\/span>Importante c<\/span><\/span>riminalit\u00e9. <\/span><\/span>\u00a0<\/span><\/span>Urbanisation anarchique. Absence <\/span><\/span>cruelle <\/span><\/span>d’infrastructures.\u00a0 Fr\u00e9quents d\u00e9lestages.<\/span><\/span><\/span><\/span><\/p>\n

\u00a0<\/span><\/p>\n

Criantes disparit\u00e9s entre les riches quartiers de\u00a0Victoria Island ou Ikoyi<\/strong>\u00a0et les bidonvilles tels celui, tr\u00e8s connu, sur pilotis de\u00a0\u00a0Makoko<\/a><\/strong>.<\/span><\/p>\n

\u00a0<\/span><\/p>\n

Sans oublier l’incroyable\u00a0densit\u00e9 urbaine<\/strong>\u00a0(on estime, d\u00e9sormais, sa\u00a0<\/span>population actuelle \u00e0\u00a0 21 millions<\/strong> d’habitants).<\/span><\/span><\/p>\n


\n\u00a0<\/span><\/p>\n

C\u00f4te face<\/strong>, une cit\u00e9,\u00a0pleine de ressources et en constante mutation,\u00a0 o\u00f9, notamment, l’Art <\/strong>(sous toutes ses formes) t\u00e9moigne du dynamisme cr\u00e9atif qui la caract\u00e9rise depuis plusieurs d\u00e9cennies et contribue,\u00a0 par ailleurs, \u00e0 son essor (outre \u00e0 celui du pays tout entier) \u00e9conomique.<\/span><\/p>\n

\u00a0<\/span><\/p>\n

\u00a0 Haut lieu de la Mode<\/strong>\u00a0avec ses fashions week et ses designers de renom.<\/span><\/p>\n

\u00a0<\/span><\/p>\n

Si\u00e8ge de\u00a0<\/em>la prosp\u00e8re\u00a0industrie cin\u00e9matographique\u00a0Nollywood. <\/strong><\/span><\/p>\n

\u00a0<\/span><\/p>\n

Sc\u00e8ne musicale africaine r\u00e9put\u00e9e<\/strong>\u00a0<\/span><\/span>\u00a0<\/span><\/span>dont <\/span><\/span>le rayonnement remonte aux d\u00e9buts de <\/span><\/span>l’Afrobeat<\/strong> e<\/span><\/span>t, partant, \u00e0<\/span><\/span> l’\u00e8re de, <\/span><\/span>feu, Fela Kuti<\/a><\/strong>. <\/span><\/span><\/span><\/span><\/p>\n

\u00a0<\/span><\/p>\n

Terre de <\/span><\/span> \u00a0<\/span><\/span>Litt\u00e9rature<\/span><\/span><\/strong>\u00a0qui voit plusieurs de ses<\/span><\/span>\u00a0<\/span><\/span>auteurs, <\/span><\/span>\u00e0 l’instar de Chinua Achebe, Chimamanda Adichie ou encore Wole Soyinka<\/strong> (<\/span><\/span><\/span>1 er, en 1986,prix Nobel de\u00a0 Litt\u00e9rature originaire<\/strong> du continent africain)<\/span>, jouir \u00a0d’<\/span><\/span>une reconnaissance internationale amplement m\u00e9rit\u00e9e.<\/span><\/span><\/span><\/p>\n

\u00a0<\/span><\/p>\n

Mais aussi,<\/span><\/span><\/span>\u00a0<\/b><\/span><\/span><\/span> n\u00e9vralgique <\/span><\/span><\/span>centre d<\/span><\/span><\/span><\/strong>‘Art contemporain en Afrique<\/strong>.<\/span><\/span><\/span><\/span><\/span><\/p>\n

\u00a0<\/p>\n

\u00a0G<\/span><\/span>r\u00e2ce, <\/span><\/span>entre autre,<\/span><\/span> \u00e0 se<\/span><\/span>s<\/span><\/span> galeries d’art, ses lieux de culture, ses festivals, ses artistes, outre<\/span><\/span>\u00a0<\/span><\/span>ses exceptionnels curateurs et critiques d’art <\/strong><\/span><\/span>(<\/span><\/span>\u00a0\u00e0 ce titre,\u00a0<\/span><\/span>Okwui Enwezor <\/span><\/span><\/strong>fut, en 2015, le<\/span><\/span> commissaire de la 56 biennale d’art contemporain de Venise<\/span><\/span>) dont la renomm\u00e9e ne souffre plus la discussion<\/span><\/span> .<\/span><\/span><\/span><\/span><\/span><\/p>\n

\u00a0<\/span><\/p>\n

\u00a0Telles sont <\/span><\/span><\/span>donc <\/span><\/span>\u00a0les multiples facettes<\/strong> de cette, \u00a0\u00f4 combien paradoxale<\/strong>\u00a0 et pourtant si fascinante<\/strong>,<\/span><\/span>\u00a0<\/span><\/span>m\u00e9gapole ouest africaine<\/strong>, dont le pays est dor\u00e9navant <\/span><\/span>(<\/span><\/span>par le poids de sa d\u00e9mographie et de son \u00e9conomie<\/span><\/span>)<\/span><\/span> la premi\u00e8re nation du continent <\/span><\/span>africain<\/span><\/span>.<\/span><\/span><\/span><\/span><\/p>\n

\u00a0<\/span><\/p>\n

\u00a0 Bienvenue \u00e0<\/span><\/span><\/span>\u00a0<\/span><\/span><\/span>Lagos, la nig\u00e9riane,<\/span><\/span><\/span><\/strong>\u00a0<\/span><\/span><\/span>o\u00f9 des millions d’individus essaient chaque jour, envers et contre tout , de (sur)vivre.<\/span><\/span><\/span><\/span><\/span><\/p>\n

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Il n’est donc pas \u00e9tonnant que, dans le cadre de sa 6 \u00e9me \u00e9dition sondant les<\/span><\/span><\/span>\u00a0<\/span><\/span><\/span>interactions entre l’homme et l’espace urbain,<\/span><\/span><\/span>\u00a0<\/span><\/span><\/span>\u00a0l’ incontournable biennale bruxelloise Summer Photography<\/strong><\/span><\/span><\/span>\u00a0<\/span><\/span><\/span>ait, cette ann\u00e9e, choisi \u00a0de braquer ses projecteurs, et ce, le temps d’une<\/span><\/span><\/span>\u00a0<\/b><\/span><\/span><\/span>exposition se tenant au Bozar<\/strong><\/span><\/span><\/span>\u00a0<\/b><\/span><\/span><\/span>(Palais des Beaux Arts)\u00a0 jusqu’au 4 septembre 2016, sur cette<\/span><\/span><\/span>\u00a0<\/span><\/span><\/span>ville \u00e0 la croissance exponentielle. <\/span><\/span><\/span><\/span><\/span><\/p>\n

\u00a0\"\"<\/p>\n

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R\u00e9alis\u00e9e sous le<\/span>\u00a0<\/b><\/span>commissariat<\/span><\/strong>\u00a0<\/span>du lagosien<\/span>\u00a0<\/span>Azu Nwagbogu<\/span><\/strong>\u00a0<\/span>(directeur du r\u00e9put\u00e9 Lagos Photo Festival<\/strong> et, entre autre, curateur de l’exposition<\/strong><\/span>\u00a0<\/span><\/strong>Tear my Bra<\/strong>, mettant en lumi\u00e8re l’impact de Nollywood sur la\u00a0<\/span>photographie africaine contemporaine<\/span>,<\/span><\/em>\u00a0aux<\/span>\u00a0<\/span>Rencontres de la Photographie d’Arles<\/strong> 2016<\/strong>),<\/span>\u00a0<\/i><\/span>\u00a0<\/span><\/em>\u00ab\u00a0Dey your Lane, Lagos Variations<\/b><\/span><\/em>\u00ab\u00a0<\/span>\u00a0\u00a0<\/i><\/span>offre, ainsi, une<\/span>\u00a0<\/span>immersion inattendue<\/span>\u00a0<\/span>au c\u0153ur d’une Lagos parfois\u00a0<\/span>bien loin<\/span> de l’imaginaire habituellement v\u00e9hicul\u00e9 par\u00a0<\/span>les m\u00e9dias occidentaux <\/span>.<\/span><\/span><\/p>\n

\u00a0<\/span><\/p>\n

Une capitale \u00e9conomique dont<\/span>\u00a0<\/span> l’unicit\u00e9 de l’\u00a0<\/span>ADN <\/span>tient, notamment, \u00e0 l’ \u00e9nergie cr\u00e9atrice<\/strong> continuellement d\u00e9ploy\u00e9e (pour r\u00e9pondre aux incessantes<\/span>\u00a0n\u00e9cessit\u00e9s de la vie auxquelles ils doivent faire face) par ses habitants.<\/span><\/span><\/p>\n

\u00a0<\/span><\/p>\n

Car, aucun doute possible, ces derniers<\/span>\u00a0<\/span>se sont bel et bien d\u00e9finitivement appropri\u00e9s l’expression, typiquement lagosienne, <\/strong><\/span>\u00ab\u00a0Dey your lane<\/strong>\u00ab\u00a0.<\/span><\/span><\/p>\n

\u00a0<\/span><\/p>\n

Qui\u00a0pourrait indiff\u00e9remment se traduire par rester sur sa voie;\u00a0 s’occuper de ses propres affaires ou encore rechercher, <\/span><\/span><\/span>chacun \u00e0 son niveau,<\/span><\/span><\/span> les ressources n\u00e9cessaires pour aller de l’avant sans attendre une quelconque aide de la part des autorit\u00e9s <\/span><\/span><\/span>locales<\/span><\/span><\/span> ou des bailleurs de fonds internationaux.
\n<\/span><\/span><\/span><\/span><\/span><\/p>\n

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Ainsi, d\u00e9butant d\u00e8s le parvis du\u00a0Bozar <\/strong><\/span><\/span><\/span>o\u00f9<\/span><\/span><\/span> un Danfo<\/span><\/span><\/span><\/strong>\u00a0<\/span><\/span><\/span>( moyen de transport le plus utilis\u00e9 par les habitants de Lagos) <\/span><\/span><\/span>a \u00e9t\u00e9 install\u00e9<\/span><\/span><\/span><\/span><\/span><\/p>\n

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danfo devant le Bozar \u00e0 Bruxelles<\/em><\/p>\n

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\"FullSizeRender-26\"<\/p>\n

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\u00ab\u00a0Dey Your Lane, Lagos Variations\u00a0\u00bb<\/b><\/em>\u00a0offre l’ inesp\u00e9r\u00e9e opportunit\u00e9\u00a0de\u00a0saisir, \u00a0\u00e0 travers\u00a0\u00a0l’objectif de\u00a0<\/b>24\u00a0talentueux\u00a0artistes<\/strong>\u00a0(nig\u00e9rians ou internationaux)\u00a0contemporains\u00a0\u00a0(dont certains, \u00e0 l’instar d’\u00a0Ikere Jones ou\u00a0<\/strong>Zina Saro Wiva<\/strong>, \u00a0ont fait partie de la magnifique r\u00e9trospective\u00a0Making of Africa<\/strong> \u00e9voqu\u00e9e en automne dernier ici<\/a><\/strong>), quelques unes des\u00a0multiples facettes<\/strong> (diurne ou nocturne)\u00a0de Lagos<\/strong>\u00a0.<\/span><\/p>\n

\u00a0<\/span><\/p>\n

Autant de perceptions singuli\u00e8res qui d\u00e9voilent, via de saisissantes photographies et vid\u00e9os<\/strong> (elles m\u00eame ins\u00e9r\u00e9es dans une sc\u00e9nographie<\/strong> globale m\u00ealant chronologie historique de Lagos et \u00a0sonorit\u00e9s<\/strong> d’Afrobeat<\/strong>), \u00a0ces visages, pour la plupart m\u00e9connus, de la capitale \u00e9conomique nig\u00e9riane.<\/span><\/p>\n

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\u00a0Laissez vous donc subjuguer par la beaut\u00e9, immortalis\u00e9e par Hans Wilschut<\/strong>, des vues panoramiques<\/strong> qu’elle offre.<\/span><\/p>\n

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Hans Wilschut, Various Works, Warp<\/span><\/span><\/span><\/em><\/p>\n

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Contemplez l’effervescence<\/strong>, qui se retrouve dans l\u2019\u0153uvre de Georges Osodi<\/strong>, de ses rues<\/strong>.<\/span><\/span><\/span><\/p>\n

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Georges Osodi, Series Lagos Uncelebrated, Trading Places<\/em><\/p>\n

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D\u00e9couvrez, sous l\u2019\u0153il de Lorenzo<\/strong>\u00a0Vitturi<\/strong>,\u00a0<\/span>la transformation du gigantesque march\u00e9 de Balogun<\/strong> \u00a0en un royaume \u00a0o\u00f9 les vendeurs de rue sont rois.<\/span><\/span><\/span><\/p>\n

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The Balogun Particle, Pink soap, particle and cyan<\/em><\/p>\n

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\u00a0<\/p>\n

Voyez\u00a0\u00a0comment d’anciens \u00e9difices coloniaux abandonn\u00e9s peuvent, comme dans les travaux de Medina Dugger<\/strong>, servir \u00e0 la mise en valeur d’une oeuvre artistique.<\/span><\/p>\n

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Funhouse<\/em><\/p>\n

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\"\"<\/p>\n

\n

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Constatez, avec Abraham Onoriode Oghobase<\/strong>, \u00e0 quel point \u00a0la publicit\u00e9<\/strong> (de quelque nature qu’elle soit) envahit jusqu’au moindre mur de Lagos.<\/span><\/span><\/span><\/p>\n

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R\u00e9alisez, \u00e0 travers l’oeuvre de Lakin Ogunbanwo<\/strong>,\u00a0<\/span><\/p>\n

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Lakin Ogunbanwo, the human condition\u00a0<\/em><\/span><\/p>\n

\"\"<\/p>\n

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et Uche Okpa Iroha<\/strong> \u00a0que les \u00a0ponts de Lagos<\/strong> sont des lieux de vie et de rencontre insoup\u00e7onn\u00e9s<\/span><\/p>\n

\u00a0<\/p>\n

Uche Okpa Iroha, under bridge life\u00a0<\/span><\/em><\/p>\n

\u00a0<\/p>\n

\u00a0 \"\"<\/p>\n

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Mais\u00a0<\/em>\u00a0Dey your Lane, Lagos Variations<\/em><\/strong>\u00a0aborde \u00e9galement une r\u00e9alit\u00e9 bien moins reluisante \u00a0via des clich\u00e9s du bidonville flottant de Makoko<\/strong> o\u00f9 vivent les laiss\u00e9s-pour-compte de la cit\u00e9.<\/span><\/p>\n

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Un th\u00e8me abord\u00e9 par Adolphus Opara<\/strong><\/span><\/p>\n

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Lagos<\/em><\/p>\n

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\u00a0et par\u00a0Christina de Middel<\/strong>.<\/span><\/p>\n

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This is what hatred did<\/em><\/p>\n

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\u00a0Gageons que la Lagos de demain<\/strong>, celle, de 2081<\/strong>, imagin\u00e9e par Ikere Jones<\/strong>, ait r\u00e9solu ces probl\u00e9matiques.\u00a0<\/span><\/p>\n

\u00a0<\/span><\/p>\n

\u00a0\u00a0\"\"<\/p>\n

Victoria Island 2081 (en haut) et New Makoko Village 2081 (en bas)<\/em><\/p>\n

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Ikoyi 2081<\/em><\/p>\n

\u00a0 \u00a0\u00a0<\/span><\/p>\n

L’autre volet de \u00ab\u00a0Dey your lane, Lagos Variations<\/em><\/strong>\u00ab\u00a0, se concentre, quant \u00e0 lui, sur les habitants<\/strong> de la ville via de nombreux portraits photographiques ou vid\u00e9ographiques<\/strong>.<\/span><\/p>\n

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Qu’ils soient ceux de lagotiens<\/strong>\u00a0vaquant \u00e0 leurs occupations professionnelles ou profitant de loisirs, d’area boys<\/strong> (les gangs s\u00e9vissant aux carrefours de la cit\u00e9), de joueurs de rugball<\/strong>\u00a0ou encore de figures locales<\/strong> (\u00e0 l’instar de mannequin, designer, acteur ou pr\u00e9sentateur de t\u00e9l\u00e9vision). <\/span><\/p>\n

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Des hommes, femmes et adolescents confront\u00e9s \u00e0 la solitude et \u00e0 l’anonymat qu’induit la surpopulation de Lagos; d\u00e9sireux de ne pas se laisser happer par le tourbillon, souvent dangereux, qui la caract\u00e9rise; frein\u00e9s, parfois, par la peur mais \u00e9galement m\u00fbs \u00a0par l’envie tenace d’accomplir leurs r\u00eaves.<\/span><\/p>\n

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Car quoiqu’on dise, le lagotien ne perd jamais espoir.<\/span><\/p>\n

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\u00a0Osodi, Beaurain, \u00a0Akintunde Akinleye,<\/span><\/strong><\/span><\/p>\n

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Akintunde Akinleye, Lagos paradox<\/em><\/p>\n

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Bas Losekoot\u00a0<\/span><\/strong><\/span><\/p>\n

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Familiar Strangers<\/em><\/p>\n

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\u00a0<\/p>\n

Adolphus Opara<\/strong>,<\/span><\/p>\n

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Rugball<\/em><\/p>\n

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\u00a0Robin Hammond<\/strong>,\u00a0<\/span><\/p>\n

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My\u00a0\u00a0Lagos\u00a0<\/em><\/p>\n

\"\"\"\".<\/p>\n

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\u00a0<\/em><\/p>\n

\u00a0 Samuel James ,<\/span><\/strong><\/p>\n

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Lagos Underground<\/em>\u00a0<\/span><\/p>\n

\"\"\u00a0\u00a0\u00a0<\/p>\n

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\u00a0<\/p>\n

Ike Ude\u00a0<\/span><\/strong><\/span><\/p>\n

\u00a0<\/strong><\/p>\n

The ten snapshot of Nigeroa sartorial temperature 2015<\/em><\/span><\/p>\n

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\"\"<\/p>\n

Alex Ekubo<\/em><\/p>\n

\u00a0<\/p>\n

\"\"<\/p>\n

Julius Agwu<\/em><\/p>\n

\u00a0<\/p>\n

\"\"<\/p>\n

Gideon Okeke<\/em><\/p>\n

\u00a0<\/p>\n

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Mai Atafo<\/em><\/p>\n

\u00a0<\/p>\n

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Denola Adepetun<\/em><\/p>\n

\u00a0<\/p>\n

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Noble Igwe<\/em><\/p>\n

\u00a0<\/span><\/p>\n

\u00a0et notamment Z<\/strong>ina Saro Wiwa<\/strong> nous permettent de r\u00e9aliser cette immersion.<\/span><\/p>\n

\u00a0<\/p>\n

Phyllis<\/em><\/p>\n

\"\"<\/a><\/p>\n

\u00a0<\/p>\n

\u00a0\u00a0<\/span><\/em><\/p>\n

Parce que\u00a0de Lagos ( cette ville aux nombreux contrastes qui, d’une fa\u00e7on ou d’une autre, marque \u00a0tous ceux qui y font escale), on ne sait finalement que peu de choses,<\/span><\/span><\/p>\n

\u00a0<\/p>\n

Parce que l’identit\u00e9 de Lagos<\/span>\u00a0fa\u00e7onne indubitablement ses habitants<\/span>,<\/span><\/span><\/p>\n

\u00a0<\/p>\n

Et parce qu’enfin Lagos se r\u00e9v\u00e8le \u00eatre une incomparable \u00a0muse pour les artistes d’ici et d’ailleurs<\/span><\/span><\/p>\n

\u00a0<\/p>\n

\u00ab\u00a0Dey Your Lane, Lagos Variations<\/em><\/strong>\u00a0\u00bb (qui m’a pouss\u00e9e, il y a trois semaines, \u00e0 refaire escale \u00e0 Bruxelles) \u00a0est, cet \u00e9t\u00e9, l’exposition incontournable \u00e0 ne pas manquer si vous passez par le Plat Pays \ud83d\ude42 <\/span><\/p>\n

\u00a0<\/p>\n

Moi, j’ai ador\u00e9 !<\/span><\/p>\n

\u00a0<\/p>\n

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 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0 \u00a0 Portrait d’Uti Nwachukwu, 2015, par Ik\u00e9 Ud\u00e9. Dey your Lane, Lagos Variations, BOZAR, Bruxelles \u00a0 \u00a0 C\u00f4t\u00e9 pile, \u00a0une ville\u00a0tentaculaire et chaotique\u00a0qui, du fait de son quotidien rimant avec perp\u00e9tuel combat, semble, \u00e0 premi\u00e8re vue, n’offrir que des conditions de vie difficiles. \u00a0…<\/p>\n","protected":false},"author":2,"featured_media":14812,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"slim_seo":{"title":"\"DEY YOUR LANE, LAGOS VARIATIONS\" ou quand les multiples visages de Lagos s'exposent \u00e0 Bruxelles - Journal d'un Pigeon Voyageur","description":"\u00a0 \u00a0 Portrait d'Uti Nwachukwu, 2015, par Ik\u00e9 Ud\u00e9. Dey your Lane, Lagos Variations, BOZAR, Bruxelles \u00a0 \u00a0 C\u00f4t\u00e9 pile , \u00a0une ville \u00a0 tentaculaire et chaotique \u00a0qui,"},"footnotes":""},"categories":[12,2,53,105,3,47,19,1,22],"tags":[145,148,149,147,121,146],"class_list":["post-14193","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-afrique","category-art","category-belgique","category-bruxelles","category-europe","category-nigeria","category-short-but-sweet-escapades","category-tous","category-vos-envies","tag-art-contemporain","tag-bruxelles","tag-dey-your-lane","tag-exposition","tag-lagos","tag-photographies"],"_links":{"self":[{"href":"https:\/\/www.journaldunpigeonvoyageur.com\/blog\/wp-json\/wp\/v2\/posts\/14193","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.journaldunpigeonvoyageur.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.journaldunpigeonvoyageur.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.journaldunpigeonvoyageur.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.journaldunpigeonvoyageur.com\/blog\/wp-json\/wp\/v2\/comments?post=14193"}],"version-history":[{"count":43,"href":"https:\/\/www.journaldunpigeonvoyageur.com\/blog\/wp-json\/wp\/v2\/posts\/14193\/revisions"}],"predecessor-version":[{"id":45030,"href":"https:\/\/www.journaldunpigeonvoyageur.com\/blog\/wp-json\/wp\/v2\/posts\/14193\/revisions\/45030"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.journaldunpigeonvoyageur.com\/blog\/wp-json\/wp\/v2\/media\/14812"}],"wp:attachment":[{"href":"https:\/\/www.journaldunpigeonvoyageur.com\/blog\/wp-json\/wp\/v2\/media?parent=14193"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.journaldunpigeonvoyageur.com\/blog\/wp-json\/wp\/v2\/categories?post=14193"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.journaldunpigeonvoyageur.com\/blog\/wp-json\/wp\/v2\/tags?post=14193"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}